P L A Y H O U S E 3:31 

Presented by Steve Rudnick & Leo Benvenuti

 

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LEO BENVENUTI & STEVE RUDNICK
BIOS

Drawing by Mark Roberts
Leo Benvenuti and Steve Rudnick met while studying with Josephine Forsberg at The Players Workshop of Second City in 1978.  They've been working steadily since then.  As the comedy team "Steve and Leo" the duo performed all across the country at Comedy Clubs, Colleges and Corporate Events.  In 1990 they starred in a pilot for a late-night variety show for ABC appropriately called, "The Steve and Leo Show."  While the show was well received, it never aired.  The following year, they were staff writers on "The Carol Burnett Show" for CBS.  That show ran for six weeks.  A month after that show was cancelled, Steve and Leo sold their first screeplay, a spec script called, "The Santa Clause" to Disney.   

That movie, starring Tim Allen, went on to gross over 160 million dollars world-wide making it one of the top ten grossing holiday movies of all time.  Their next film was Warner Brothers' "Space Jam," (starring Michael Jordan and Bugs Bunny) another top grosser.    They also worked on the sequel "The Santa Clause II."  In November, 2006 the third chapter of "The Santa Clause" trilogy was released.  Their movie "Kicking and Screaming" (starring Will Ferrell, Robert Duvall and Mike Ditka) was released in 2005.  All their films are available on DVD. 

In television, the team wrote and created "The Second Half" for NBC, "The Damon Wayans Show for FOX and "Meant For Each Other" for CBS.

They are currently working on a family comedy for Sony and an animated feature for Paramount/Nickelodeon.


 
LEO BENVENUTI
by
Steve Rudnick


As Mark Twain said, "The rumors of my death have been greatly exaggerated."  I mention this because on November 3, 2000 I received more than a few unsettling emails and phone calls asking about my writing partner Leo.  The gist of these queries were all the same.  "Is Leo dead?"  I immediately called Leo's wife and casually asked how Leo was.  I heard her yell out, "Leo!  Phone!"  After a few seconds, Leo picked up.  "Are you dead?" I asked?  "Yes," he said and hung up.  

It turns out a seventy-seven year old Italian screenwriter named Leonardo Benvenuti just died and the news made Variety.  And hence the emails and phone calls.  I responded to those who cared that my Leo was alive and well.  The Leo Benvenuti that just died wrote his first screenplay in 1948, years before my partner was born.  Dead Leo is best known in this country as the writer of Sergio Leone's 1984 "Once Upon A Time in America."  Alive Leo is best known as the "Leo" in "Steve and Leo."

Leonardo Benvenuti was born September 8, 1923 in Florence, Italy.  Leo Benvenuti was born October 10 in the late 1950's in the small Northern Italian Village of Bagni Di Lucca, which loosely translates as "Uh oh, Frank ate all the cheese, now what do we do?"  Young Leo came to America when he was five-years old.  His family settled in Chicago where Little Leo started his American education.

Leo spoke no English when he entered kindergarten and the Chicago School System didn't know what to do with him.  In the 1960's, a time of insensitivity and ignorance, Leo was labeled "retarded" (I'm loathe to use that term, but at the time it was widely accepted) and put in "the special class." Leo thrived in that class and he amazed all his teachers as he completed one puzzle after another with alacrity and panache.  Finally, three years later, someone at his school figured out he wasn't "retarded" at all.  He was just Italian.  Hearing this horrific story years later, I told Leo that I had a similar story from my childhood.  I grew up in Skokie, Illinois and when I was in first grade there was a "retarded" boy in my class and the Principal didn't know what to do with him.  So he was put in the "Italian Class" where he did just fine.  The scars of this misdiagnoses and neglect are evident today.  To this day, Leo is much more at ease with people who don't understand that fire burns even more the second time than with those who do.

Leo and I met at The Players Workshop of Second City.  We worked with the legendary teachers Josephine and Linnea Forsberg.  Leo was quite young when I first met him.  He was seventeen, going on twelve.  I had already worked a myriad of jobs and was ready to make my mark as a performer.  I asked Leo if he'd like to be part of a comedy group.  "Sure.  Neat," said Leo.  I was making a career decision.  Leo was trying to figure out a way to get out of his house.  I once went to Leo's house (he lived with his father at the time).  He had rigged his room with wires and pulleys.  From his bed he could open and close his door with the tug from the wires.  It sounds inventive, but his room was set up in such a way that he could easily reach his door from his bed anyway.  It was at that moment that I realized that I was in the presence of a truly creative, eccentric and lazy young man.

I'm in the enviable position of having seen Leo grow up.  I was there the first time he ate cottage cheese.  I taught him how to write checks and how to tie a necktie.  And I fought with him for hours on end about Albert Brooks not being Mel Brooks' son.  (He's still not one hundred percent convinced on that one)  The wide-eyed youth I met those many years ago has blossomed into a responsible man who no longer buys all his shirts at The Salvation Army because it's cheaper to buy a used white shirt than it is to have an old one cleaned.   

Leo is a spiritual man who takes pride in the fact that at his old Church in Chicago there was a statue of the Virgin Mary that shed tears.  He was quite moved when I told him that at my Temple, back in Skokie, we had a statue of Moses that made change.  

Leo and I have been working together for more years than either one of us wishes to own up to.  It's been a long and fruitful relationship.  I'm proud to call him my partner and friend and can hardly wait to meet his wife and kids (I think he has two).  Leo lives in Southern California.  That's all he'll tell me.  It's a start.

Steve Rudnick

 
STEVE RUDNICK
by
Leo Benvenuti


I've known Steve for thirty years; I've also gotten to know his family too.  It would be as hard to separate Steve from his Jewish heritage, as it would be to separate me from my Italian heritage.  I've been around him so long, I feel like an honorary member of his family.  I've learned about the food, the traditions and the colorful phrases and euphemisms.   It's with great pride that I present his biography.

Steven Mark (Schmuel Mordechai) Rudnick was born on a blustery February 24th in the mishigas that was Skokie, Illinois.  The town was a perfect Zubin Mehta to raise a family.  Steve's loving parents: Jack and Honey Girl had the chutzpah to bring two more children into the world, Chuck, a mentsh and avid non-schvitzer, and Cindy, with her shayna punim and lovely bris khazeray.  Though Steve's family emphasized kvelling they never forgot their core values, Sukkah huts and altehkuchers.

Steve's life changed one seder afternoon when he got his first laugh in the second grade.  His teacher and part time yenta asked the kids to give letter combinations: "tion, ing, ou, ch", etc.  The rabbi pisher, Schmuel Mordechai stood up and farklempt, "NBC", "CBS" and "ABC."  The laughs he received gave Schmuel his menora.  He knew what he wanted to do with the rest of his life, nochus shtupping.

As a mitzvah, at the age of thirteen, Mordechai was Bar Mitzvahed in a circumcision of Torahs.  No shikse was spared.   On the seventeenth of Tammuz, everyone welcomed Schmuel to manhood with a rousing cheer, "Meshuga a bisel." 

But still, something burned inside Mordechai.  It was a desire to recapture that first yarmulke he got in second grade, laughter.  Compelled to be in showbiz, Schmuel Mordechai threw the matzoh out further, discovering The Marx Brothers, Henny Youngman, Lenny Bruce, Mort Sahl and Woody Allen,  His putz was set; Hava Negila, his ambition.

He attended various colleges and majored in as many subjects, from moil to mozeltov.  He challahed for ten years and is short two credits in a degree in anything... oy to the gefilte fish.  

Now, with gelt bobkes, his tokhes kvetching, he went from job to job, like a zay gezundt tumuling on blintzes.  "Bubbeleh," his friends would say, "Why don't you follow your dream of the chuppah?"  And that he did.  With tefillin in hand, the brocha started taking classes at Players Workshop of Second City.  Schmuel schmalzed his way from schmuck to schemata.  There he met his lifelong comedy partner, Leo Benvenuti, a famisht in his own right.  A brocheh was born; the two were to form a minyan... shalom to the kakameyme faigeleh.

Haggehah dreydel and perseverance gave bubkas tchotchke to Schmuel Mordechai and Leo.  Bagel schlepping on one hand but always with clear sights set on schlemiel.  Was this to be a nosh?  It was.

Tumul shmendrik with shmuz on Chanukah, the kibitz meshugine gave goyim a daven or two.  What's with the shpilkes shtik?  Le'chaim schlemazel, here's your haymisheh.  Schmuel Mordechai made shluff look easy; with obber meer hobben for das a shickser and zol got mir helfen.  So, what drives Schmuel Mordechai?  I believe it's boychick schmooze for Moses or mein klein shvester.  Only time will tell.

Leo Benvenuti

 
 
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